After the excitement, volatile buoyancy, comes the decline. She is spent.
Rowena steadies herself, wondering, as always, quite what possessed her.
She sits beside the pond in the courtyard;
the once-tall gentians, blue, white, lay bedraggled, buffeted by squall.
For a while, there’s graciousness, a sensible creature, urbanely reflective;
Within and Without are reconciled,
perhaps things can be made tolerable.
Autumnal
Disentangling from reverie, from allure and blandishment of certainty,
she returns to habitual
disquiet:
-in some dreams -a print of Santi’s Terpsichore in trembling hand- she wanders a cheerless
succession of hallways and landings, never attaining a room, never able to hang the picture.
-in others, enervated, wan, she gazes, bemused, from the periphery of things;
but, easily
bruised, joining in would be... e x c r u c i a t i n g.
Perhaps, for dancing on a Sunday, she will be turned to stone; this could be acceptable..
Hibernal
Rowena, forlorn, feels only sleep is left...
having engaged as much as she is able, there’s now the need to withdraw;
it has been enough.
She desires to become
deaf before babble,
blind before ugliness,
distanced from clumsiness,
pure, before complications;
unwilling toward any inchoation, with its fresh demands.
Peter Jennings
East Sussex
April 2021
The Music Video of this work is at:
https://youtu.be/v5eQ29_Fnuw